NO-MOVIE POSTERS is the creation of Pedro Molina-Siles.

Although his academic background is in architecture, Pedro has always liked telling stories.
In the early nineties, these short stories began to cry out to be filmed and presented in major movie theatres. Resigning themselves to the fact that they would never reach the big screen, they clamoured to be given at least a nominal baptism in graphic form. They wanted a title and a powerful image that would sum them up at a glance.
In response to their request, their author decided to give them the titles and images they so greatly craved, in the form of movie posters. But he would do it slowly, calmly and without a lot of noise.
NO-MOVIE POSTERS thus began to gestate.
Over more than 25 years, Pedro has devised and sketched over 300 movie posters, all developed out of his own stories. These sketches and stories have remained unknown all these years.
In March 2017, a chance occurrence would give rise to this unique cinematic universe. A recent graduate in film direction saw the sketches of the first posters designed back in the 1990s, and was struck by one in particular: LA SIMA (“THE CHASM”). His first film was going to bear this name, and the promotional poster for it had not been designed yet.
After several conversations, they decided that these sketches would be brought to life as the main poster for his first feature film.
Many years have passed since that first sketch illustrating an untold story, an unfilmed movie. Inspired by the passion and persistence of that director, Pedro decided that all the other sketches he had completed over the years were worthy of a place of their own as well. The sketches want to live and grow, to be seen and valued.
NO-MOVIE POSTERS is much more than an allegory; it is a love song to cinema, to its promotional posters, to sketching, to photography and to all those untold stories that want to fly but don’t have wings.

Vector graphics

SYNOPSIS
After some dramatic family events in which his secret is exposed, Tony Rivera leaves the town of Cuenca to start a new life in Atlanta.
There he will meet a man who will provide him with the light he needs to be himself. But light is always accompanied by shadows.

NO-MOVIE POSTERS is the creation of Pedro Molina-Siles.

Although his academic background is in architecture, Pedro has always liked telling stories.
In the early nineties, these short stories began to cry out to be filmed and presented in major movie theatres. Resigning themselves to the fact that they would never reach the big screen, they clamoured to be given at least a nominal baptism in graphic form. They wanted a title and a powerful image that would sum them up at a glance.
In response to their request, their author decided to give them the titles and images they so greatly craved, in the form of movie posters. But he would do it slowly, calmly and without a lot of noise.
NO-MOVIE POSTERS thus began to gestate.
Over more than 25 years, Pedro has devised and sketched over 300 movie posters, all developed out of his own stories. These sketches and stories have remained unknown all these years.
In March 2017, a chance occurrence would give rise to this unique cinematic universe. A recent graduate in film direction saw the sketches of the first posters designed back in the 1990s, and was struck by one in particular: LA SIMA (“THE CHASM”). His first film was going to bear this name, and the promotional poster for it had not been designed yet.
After several conversations, they decided that these sketches would be brought to life as the main poster for his first feature film.
Many years have passed since that first sketch illustrating an untold story, an unfilmed movie. Inspired by the passion and persistence of that director, Pedro decided that all the other sketches he had completed over the years were worthy of a place of their own as well. The sketches want to live and grow, to be seen and valued.
NO-MOVIE POSTERS is much more than an allegory; it is a love song to cinema, to its promotional posters, to sketching, to photography and to all those untold stories that want to fly but don’t have wings.

Vector graphics

SYNOPSIS
One fall morning Steven meets Molly in Central Park and realizes that she is the woman of his life. A few days after meeting, they go to live together and get married. Five years later, Molly
receives a visitor: his wife.

NO-MOVIE POSTERS is the creation of Pedro Molina-Siles.

Although his academic background is in architecture, Pedro has always liked telling stories.
In the early nineties, these short stories began to cry out to be filmed and presented in major movie theatres. Resigning themselves to the fact that they would never reach the big screen, they clamoured to be given at least a nominal baptism in graphic form. They wanted a title and a powerful image that would sum them up at a glance.
In response to their request, their author decided to give them the titles and images they so greatly craved, in the form of movie posters. But he would do it slowly, calmly and without a lot of noise.
NO-MOVIE POSTERS thus began to gestate.
Over more than 25 years, Pedro has devised and sketched over 300 movie posters, all developed out of his own stories. These sketches and stories have remained unknown all these years.
In March 2017, a chance occurrence would give rise to this unique cinematic universe. A recent graduate in film direction saw the sketches of the first posters designed back in the 1990s, and was struck by one in particular: LA SIMA (“THE CHASM”). His first film was going to bear this name, and the promotional poster for it had not been designed yet.
After several conversations, they decided that these sketches would be brought to life as the main poster for his first feature film.
Many years have passed since that first sketch illustrating an untold story, an unfilmed movie. Inspired by the passion and persistence of that director, Pedro decided that all the other sketches he had completed over the years were worthy of a place of their own as well. The sketches want to live and grow, to be seen and valued.
NO-MOVIE POSTERS is much more than an allegory; it is a love song to cinema, to its promotional posters, to sketching, to photography and to all those untold stories that want to fly but don’t have wings.

Vector graphics

SYNOPSIS
The residents of the town of Sarmiento are tired of the parish priest Matthew. They don't want to follow his doctrine, so they decide to take over the church and preach his new philosophy: Get High.

NO-MOVIE POSTERS is the creation of Pedro Molina-Siles.

Although his academic background is in architecture, Pedro has always liked telling stories.
In the early nineties, these short stories began to cry out to be filmed and presented in major movie theatres. Resigning themselves to the fact that they would never reach the big screen, they clamoured to be given at least a nominal baptism in graphic form. They wanted a title and a powerful image that would sum them up at a glance.
In response to their request, their author decided to give them the titles and images they so greatly craved, in the form of movie posters. But he would do it slowly, calmly and without a lot of noise.
NO-MOVIE POSTERS thus began to gestate.
Over more than 25 years, Pedro has devised and sketched over 300 movie posters, all developed out of his own stories. These sketches and stories have remained unknown all these years.
In March 2017, a chance occurrence would give rise to this unique cinematic universe. A recent graduate in film direction saw the sketches of the first posters designed back in the 1990s, and was struck by one in particular: LA SIMA (“THE CHASM”). His first film was going to bear this name, and the promotional poster for it had not been designed yet.
After several conversations, they decided that these sketches would be brought to life as the main poster for his first feature film.
Many years have passed since that first sketch illustrating an untold story, an unfilmed movie. Inspired by the passion and persistence of that director, Pedro decided that all the other sketches he had completed over the years were worthy of a place of their own as well. The sketches want to live and grow, to be seen and valued.
NO-MOVIE POSTERS is much more than an allegory; it is a love song to cinema, to its promotional posters, to sketching, to photography and to all those untold stories that want to fly but don’t have wings.

Photography / Vector graphics

SYNOPSIS
The film focuses on the days leading up to the opening of a brothel in a small Michigan town. The new establishment provokes the most unlikely reactions from the neighbors, who refuse to allow prostitutes to be part of the neighborhood.

NO-MOVIE POSTERS is the creation of Pedro Molina-Siles.

Although his academic background is in architecture, Pedro has always liked telling stories.
In the early nineties, these short stories began to cry out to be filmed and presented in major movie theatres. Resigning themselves to the fact that they would never reach the big screen, they clamoured to be given at least a nominal baptism in graphic form. They wanted a title and a powerful image that would sum them up at a glance.
In response to their request, their author decided to give them the titles and images they so greatly craved, in the form of movie posters. But he would do it slowly, calmly and without a lot of noise.
NO-MOVIE POSTERS thus began to gestate.
Over more than 25 years, Pedro has devised and sketched over 300 movie posters, all developed out of his own stories. These sketches and stories have remained unknown all these years.
In March 2017, a chance occurrence would give rise to this unique cinematic universe. A recent graduate in film direction saw the sketches of the first posters designed back in the 1990s, and was struck by one in particular: LA SIMA (“THE CHASM”). His first film was going to bear this name, and the promotional poster for it had not been designed yet.
After several conversations, they decided that these sketches would be brought to life as the main poster for his first feature film.
Many years have passed since that first sketch illustrating an untold story, an unfilmed movie. Inspired by the passion and persistence of that director, Pedro decided that all the other sketches he had completed over the years were worthy of a place of their own as well. The sketches want to live and grow, to be seen and valued.
NO-MOVIE POSTERS is much more than an allegory; it is a love song to cinema, to its promotional posters, to sketching, to photography and to all those untold stories that want to fly but don’t have wings.

Photography / Vector graphics

SYNOPSIS
The people of San Antonio, Texas, are disconcerted because their eyes are unable to register colors. They only see textures: rhombuses, flowers and similar motifs. What are happening in San Antonio?

NO-MOVIE POSTERS is the creation of Pedro Molina-Siles.

Although his academic background is in architecture, Pedro has always liked telling stories.
In the early nineties, these short stories began to cry out to be filmed and presented in major movie theatres. Resigning themselves to the fact that they would never reach the big screen, they clamoured to be given at least a nominal baptism in graphic form. They wanted a title and a powerful image that would sum them up at a glance.
In response to their request, their author decided to give them the titles and images they so greatly craved, in the form of movie posters. But he would do it slowly, calmly and without a lot of noise.
NO-MOVIE POSTERS thus began to gestate.
Over more than 25 years, Pedro has devised and sketched over 300 movie posters, all developed out of his own stories. These sketches and stories have remained unknown all these years.
In March 2017, a chance occurrence would give rise to this unique cinematic universe. A recent graduate in film direction saw the sketches of the first posters designed back in the 1990s, and was struck by one in particular: LA SIMA (“THE CHASM”). His first film was going to bear this name, and the promotional poster for it had not been designed yet.
After several conversations, they decided that these sketches would be brought to life as the main poster for his first feature film.
Many years have passed since that first sketch illustrating an untold story, an unfilmed movie. Inspired by the passion and persistence of that director, Pedro decided that all the other sketches he had completed over the years were worthy of a place of their own as well. The sketches want to live and grow, to be seen and valued.
NO-MOVIE POSTERS is much more than an allegory; it is a love song to cinema, to its promotional posters, to sketching, to photography and to all those untold stories that want to fly but don’t have wings.

Vector graphics

SYNOPSIS
The Taliban have returned to Kabul. The city is a hell and both residents and international aid workers have a week to evacuate the city. The US president and the U.S. Army will do everything possible to deal with this new threat to democracy.